Not all treasures from the vault are works of art from our historical past! Matika Wilbur began her ongoing photography project in 2012. Documenting contemporary Native American tribes and cultures, Wilbur hopes to dispel the often inaccurate and stereotypical visuals of Native Americans pervasive in books, movies, and TV. Lauren Wolfer, Associate Curator of Special Collections & Archives, highlights our most recent acquisition from her project, now on view in A Year of Making Meaning.
It is not often that FWMoA has living artists exhibited in our galleries, and even less often that they come to visit! Therefore, we jumped on the opportunity to speak with Joel Daniel Phillips about his life-size charcoal portraits, where his art is taking him next, and if he'll ever try using color!
In this installment of Treasures from the Vault, Director of Children's Education Alyssa Dumire examines a silkscreen with a message. What can art tell us about its time period? And what can it reveal about the artist who made it?
Before the Internet, artists had to seek each other out to learn new techniques and discover new art forms. Follow Sachi as she traces the life of Evelynne Bernloehr Mess, a Brown County artist who, unlike her fellow oil painters, wanted to make an etching.
What do museums collect? Suzanne Slick discusses a rather unusual artwork in our collection, our Prancer Carousel Horse.
What artworks do you love? What artworks make you feel happy in your space? President and CEO Charles Shepard discusses our love of stuff, in particular, our visual stuff: from our kids fridge art to prints by well-known artists to what we find in a gallery or museum.
This week, our Treasure from the Vault and Art Term Tuesday come in one unique post! Learn about the importance of iconography in art as Elizabeth Goings uses one vault treasure and one work currently on display to break down this "stuffy" art term.
When curators are researching artists, they often stumble across other artists. Our Curator of Prints and Drawings, Sachi, tells the story of how she stumbled across Felrath Hines, a fine art conservator and painter!
Exhibitions Content Manager Elizabeth Goings takes us on an art history journey discussing how art historians treat artworks with missing information. For example, how do we date a painting with no date? Read on to find out!
Let’s start off with a question: when you, reader, go to a museum, what kind of art do you expect to encounter? Serious, dramatic works providing extensive commentary on social constructs relevant to the artist’s time period or works relevant to the present day? Well, those kinds of works will naturally be there, but how often do you hope to stumble across artwork that’s been created just for fun? If you’ve ever been in the mood for a more lighthearted art experience, today you’re in luck!