Looking at, Talking about, and Appreciating Art
Exhibitions Content Manager Elizabeth Goings takes us on an art history journey discussing how art historians treat artworks with missing information. For example, how do we date a painting with no date? Read on to find out!
The Scholastic Art and Writing Awards exhibition is held at FWMoA every year, and every year it gets bigger! Read on to find out how we tackle this exhibit that spans three galleries, includes over 700 artworks, and finds a way to showcase writing works in a museum setting.
What does it mean to study? You’re probably thinking of textbooks, calculators, book reports, and endless memorization from your school days. Artists study too, just in a different way.
Alyssa Dumire, Director of Children's Education If you happen upon a school tour at FWMoA, odds are you’ll probably see Michael leading a tour. In fact, if you got here from our blog’s home page, you’ve seen him there too! You’ll almost definitely find at least one of today’s featured docents leading any given school …
Continue reading "Docent Dialogue: Docent to Docent, A Docent Double Feature!"
Let’s start off with a question: when you, reader, go to a museum, what kind of art do you expect to encounter? Serious, dramatic works providing extensive commentary on social constructs relevant to the artist’s time period or works relevant to the present day? Well, those kinds of works will naturally be there, but how often do you hope to stumble across artwork that’s been created just for fun? If you’ve ever been in the mood for a more lighthearted art experience, today you’re in luck!
An exotic-sounding name keeps popping up in my world – Miss Blanche Hutto – compelling me to take a deep dive into Fort Wayne’s art history. Dive into Fort Wayne history with Collection Information Specialist Sue Slick to learn more about a teacher who inspired many artists!
In this Art Term Tuesday, we explore "the memory in the stone", or stone lithography, a printmaking process favored by drawers. Read on to learn how Master Printmakers and artists collaborate to bring forth the artists' vision from the stone and what famous painters you may recognize who have made prints.
Professors from universities around the area bring their students to the Print and Drawing Study Center at the Fort Wayne Museum of Art to see works on paper from the permanent collection that are currently in storage. One of the most frequent requests is for the I Am a Man portfolio by African American photographer Ernest C. Withers (1922-2007). He is best known for his works documenting the Civil Rights Movement. Our Curator of Print and Drawings, Sachi, provides the background for Withers' photography career and the impact he had on the movement for equality.
After learning what Amanda Shepard "does" at the Fort Wayne Museum of Art as our Vice President and COO, she now follows up with the answer to the question she hears the most: Where do you get the art that you display?
Every day we get visitors who let us know how badly they want to touch the artwork but know they shouldn’t. It’s true, the first rule of the museum is “Do Not Touch”, but artists use their skills to help people imagine how their art would feel through texture. Artists choose different materials to express different things, including how something might feel. Read on to learn how to discover texture in artworks without touching them!