What does an art movement look like when it's happening, and how can we know where it will go? Charles Shepard ruminates on the longevity of the studio glass movement and the role museums play in ensuring the medium in the annals of art history.
With our rotating galleries, it's not often the #fwmoa has a permanent installation like Howard Ben Tré's "Column 34" a few weeks ago! Read the account by #fwmoa President Charles Shepard to see how this glass sculpture found its home in Fort Wayne:
Following our centennial celebration, we at #fwmoa are thinking ahead to the next 100 years! As we usher in 2023, President & CEO Charles Shepard shares his thoughts on the future of #fwmoa:
The siren song of glass is strong! Charles Shepard, #fwmoa CEO & President, details his surprise spring trip to Santa Fe to learn more about glass in anticipation of the new glass wing.
If you know anything about #fwmoa President and CEO Charles Shepard, it's probably that he loves glass. Here, he shines a light on the magic behind the glass of sculptor/artist Wilfried Grootens.
Charles Shepard, #fwmoa President & CEO, takes us with him to the 2022 Glass International at Habatat Gallery in Royal Oak, MI to see what glass sculptors have fired up in this International Year of Glass.
Who designates works of art into a movement? It isn't art museum curators, but gallerists. Here, #fwmoa President Charles Shepard discusses the role of the gallery owner, spotlighting Habatat Gallery, the first to champion the work of glass sculptors.
Think you know the history of studio glass? Think again! FWMoA President & CEO Charles Shepard takes us back to 1962, where the contemporary studio glass movement got off to a shaky start, and how it eventually found its footing in the art world.
In this "Off the Cuff", #fwmoa President & CEO Charles Shepard ruminates on why collectors donate their works to museums, and what it means to museums to hold these pieces in trust for them and the public.
In this post, #fwmoa President & CEO Charles Shepard discusses the primary and secondary art market and the valuation of art. What price is the right price to pay for a work of art?