From the Fort Wayne Museum of Art
Looking at, Talking about, and Appreciating Art
James Lavadour's art process does not paint (or print!) a landscape but, through the act of creation, reveals one. See how he transfers his layering technique from painting to printmaking in this #treasuresfromthevault.
The Hoosier Salon is marking its 100th Anniversary this year, and FWMoA is spotlighting the artists who earned the prestige of inclusion in an exhibition this summer. Learn more about the history of the Salon itself before viewing the artworks in this #historicalhighlight:
We recently welcomed a new glass artist into our #permanentcollection, and his sculpture is there to welcome you in when you visit our Glass Wing! Meet Marvin Lipofsky in this #nowonview:
Our new print purchase is here! Take a closer look at Dyani White Hawk's lithograph on paper, Adorned (Blue), printed at Crow's Shadow.
Explore Sandra C. Fernández' experiences with loss, memory, and the world around her through her combination of printmaking, photography, artist's book, installation, and sculpture in this #treasuresfromthevault post.
Whether you are or aren’t a Barbie girl, we all must live in a Barbie world. Celebrating Ms. Barbara Millicent Robert's 65th birthday this month alongside her Oscar nom, #fwmoa looks at how art has interpreted Barbie over the years in this post.
The thread of the textile collection at #fwmoa continues, stitch by stitch. Collection Information Specialist Sue Slick unravels the mystery behind a block-printed wall hanging made by the Milwaukee Handicraft Project in this blog post:
Delve into Delita Martin's pattern, textures, and colors in this #treasuresfromthevault post that examines two of her works in the #fwmoa collection: Wild Flower and Keepsakes: Delita.
When it comes to printmakers in Indiana, Rudy Pozzatti is one of the most beloved and respected--as both a skilled artist and an inspirational educator. Take a look at his prints in the #fwmoa permanent collection in this post:
Beautiful artwork, utilitarian object, or both? Following the re-organization of the #fwmoa textile collection, Curator Jenna Gilley decided to spotlight a work that has not been on view: Mathieu Matégot's mid-century tapestry Lumière sur l'Inconnu.