Today marks the 50th anniversary of NASA's Apollo 11 lunar landing team returning to Earth. Wait, what does that have to do with art? Find out as Alyssa Dumire take us through some of her favorite pieces of space art that help us interpret these significant historical moments, even years after they've happened.
Suzanne Slick discusses the world of forgery! Museums, not just those that house art, have to be extremely careful when acquiring new works to ensure they are authentic. Read on as Sue discusses what methods people use to trick collectors and how we can determine if a work is the "real thing" or not.
We asked our education intern, Laura Heirigs, to weigh in on a news story that had caught our eye, a competition in Switzerland to have a Picasso in your house for one day. Read on to get her thoughts on art and where it belongs: in our homes or in museums.
Slow Art Day is this Saturday! You're probably thinking, what is Slow Art Day? Slow Art Day is when we challenge museum visitors to look at five pieces of artwork for 10 minutes each. Read on to see what Katy Thompson thought about as she looked at three of our pieces for 10 minutes as a preview to the big event this weekend!
In my role at FWMoA, I’m lucky enough to be inextricably linked to all our social media accounts, so every little thing people say about us is conveniently delivered to my inbox. Most reviews are positive, accurate, and heartwarming. Some stretch the truth, and others inspire my blog posts. A common set of complaints seem to bubble to the surface of our negative reviews: “It’s not as big as I thought it would be;” “There’s not enough to see;” “There were no famous artists like Degas or Renoir;” “It’s not like Chicago or Los Angeles.” Read on to see how our museum compares to others and what makes our collection unique.
A few weeks ago, a fire at the 200-year-old Museu Nacional in Rio de Janeiro, Brazil, obliterated years of Latin American history, science, and culture. Investigations revealed the extent of disrepair the museum had experienced, stemming from a lack of government funding over the past few years. Multiple news outlets reported on the museum’s use of crowdfunding to pay for expenses and lack of digitized records. A public museum, this spurred international outcries over budget cuts experienced by public museums, libraries, and archives worldwide. I started to think about the collection at FWMoA, what would be lost for the residents of Fort Wayne, and Indiana at large, if our museum was there one day and gone the next.
