Just as many of us have recently emerged from quarantine in the past few weeks, so have various FWMoA "treasures" left the vault for your viewing! Read up on our "escaped" works and then view them for yourself at FWMoA!
Artist Steve Prince mixes historical and contemporary references to allude to specific historical moments, like the Greensboro Four, while including changes that allow the work to resonate today, including in the activism of the #BlackLivesMatter movement.
In this post, Curator of Prints & Drawings Sachi Yanari-Rizzo discusses how museum curators research the works of art in a collection, from paintings to furniture, to meet the needs of each object and ensure the museums custodial mandate is met.
Sculptor and printmaker Marie Watt uses blankets as a means of expressing both the female experience and her Native American culture.
Juan Sánchez creates socio-political art inspired by his identity that combines photography, text, and appropriated images in a collage style to inform and educate.
In this "Off the Cuff", President & CEO Charles Shepard discusses the collecting strategy for FWMoA and how it adheres to our mission as a museum.
Here at FWMoA, we are super excited for spring and flowers, so much so, we chose this floral portrait of a woman by American Impressionist Robert Reid for this week's vault treasure.
How do we know the history of an artwork? By checking its provenance! Learn more about how museum and collectors learn the history of their purchases in this "Art Term Tuesday".
In this special installment of "Treasures from the Vault", we examine the lithographs of Garo Antreasian, an American Armenian artist in recognition of Armenian Remembrance Day.
Throughout her career, Garcia’s artworks promote the visibility of immigrants and Mestizos, aligning herself with her shared namesake who told 1,001 tales to stay alive. See how she uses narrative to inform her audience about immigration in this post.