In the News: National Poetry Month & Ekphrastic Poetry

April is National Poetry Month! Founded in 1996 by the Academy of American Poets, National Poetry Month seeks to remind the public that poets serve an integral role in our cultural and literary history. Often labeled as the “difficult” writing genre, National Poetry Month works to encourage both the reading and writing of poems, provides resources for students and teachers, and raises awareness of practicing poets in local and national media.

This year, FWMoA’ s Teen Council decided to join the celebrations by hosting an Ekphrastic Poetry Contest. Ekphrastic poems are those written about works of art; so, we asked our community to write poems about selected pieces from our permanent collection. Below are the winners and the artwork their poem references.


A monumental blue abstract cast glass sculpture.
Latchezar Boyadjiev, American, born Bulgaria, b. 1959. Embrace. Cast glass, 2019. Museum purchase with funds provided by donors the Embrace Fund: Linda and Bill Bekcer, John and Mary Brandt, Fort Wayne Art League, Elizabeth and Robert Keen, Dr. Jerry L. Mackel, Miller Family Fund, Mick and Kathy Parrott, Dorothy L. and Paul E. Shaffer, Kathy and Don Steininger, Kathleen M. Summers, and Lisa and Chuck Surack. Image courtesy of FWMoA.

Youth Winner: Odette Levan

“The Glass Boy”, after Latchezar Boyadjiev’s Embrace

Once upon a time

there was a boy

and he asked

a friend, a magical friend

who had powers,

to put a spell on him

that would make him nicer,

but it didn’t work.

But something else happened

to him. He turned

into blue glass.

He is still there

today.


1st Place: Zoë Bentley

“Embrace”, after Latchezar Boyadjiev’s Embrace

I’ve been told I’m intense.

You know what that’s like, holding your color deeply

Standing tall

Not to outdo the rest, but rather to do what feels right

Focusing only on flowing, glowing

Focusing only on your own love

You’re intense too.

You’re deep as a desert sky, holding back the edge of space

Entrancing all

Changing what we see, contrast casting all in amber

Your brilliant heart is shining, climbing

Your brilliant heart is a river of light

You seem imposing.

It’s easy to miss how you’re soft along some sides

How you’re supported from below

How the lights don’t come from within

I’ve been told to embrace who I am.

You know what that’s like, refusing to choose a shape for its ease of recognition

Forms nameless

Figures intersecting, connecting

Figures supporting and inextricable

You’re no singular story.

I see your solid presence and the delicate bubbles within

Your firmness and yet fluidity

Your simplicity and complexity

You don’t choose.

You’re both geometric and organic

Both harsh glare and gentle diffusion

Both familiar and unreal


A kimono made of woven glass using the colors of springtime.
Markow and Norris, American. Spring Dawn Kimono. Woven glass, metal armature, and pair of Zori Thong sandals, 2012. Gift of Patricia Schaefer. Image courtesy of FWMoA.

2nd Place: Vienne Rey Didier

“Dignity Tied Up Like Kimono”, after Markow & Norris’ Spring Dawn Kimono

recess in session

primary playground romps

she stomps and wrests

try to best

the boys

at football

and all things moral

her dignity tied up like kimono

in defending herself for being a girl

at nine turns round the sun

she bleeds her first one

the mystery moon voyage

a pilgrimage of sorts

into what it means to be woman

ripe, hips wide

for birthing babies

is that what she is made for?

not quite sure

but she is convinced that the world

is not made complete

by incubating a human seed

her dignity tied up like kimono

in defending herself for being a woman

who chooses to not become mother

but mother

in other

meaningful ways

a woman who chooses

what she creates

with the body she incorporates

that is sacred home

to her soul

the womb

is a holy room

standing proud upon geta shoe

where dynasties of love and beauty

are birthed

to mother takes all kinds

of infinite shapes and lines

for there is a world of people already existing

lips parched, the love well nearly dry

a mother is a lover

and keeper of glass hearts

she fills in the fractures, suturing them back to good

isn’t that we all should

do for each other?

we are all mother

our dignity tied up like kimono

in defending ourselves as human


A glass multimedia sculpture of a woman whose chest is see-through and includes birds and trees in it.
Robin Grebe, American, b. 1957. Germination. Cast glass with enamel, brass, and stone base, 2003. Gift from the Collection of Carl and Stephanie Beling. Image courtesy of FWMoA.

3rd Place: Toni Sangillo

Germination”, after Robin Grebe’s Germination

We rock on our porch swing

after a rain

And listen to the songs of a blackbird

All the world alivens with spring

except you

Wither until frail as a baby blackbird

I bury my heart, that grievous thing

with you

Taunted by the songs of a blackbird

Perched by your grave, I cling

to my pain

Awe when you fly away, a blackbird

Out of mid-flight, by the wing

I snatch you

Replace my heart with my blackbird

In my rib cage, germinating

I keep you

Until I die and become a blackbird

And fly away with you

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