Saturday Studio: Bean Mosaic

Kelsey Herber, School Programs Associate

We are back in the FWMoA studio and this week our inspiration is drawn not from one artwork or artist, but from a discipline subtly utilized in many media throughout our galleries, and throughout history, at any given moment: mosaic.ย 

A mosaic sculpture, with two figures facing the viewer, each wrapping one arm around the other. They are covered in glass, with purple and blue faces. A bird rests on top of one person's arm, with another bird on top of the taller figure's head. The colored glass that covers the people's bodies varies, but is mainly tan or periwinkle. The figures are standing on top of a clear, glass box roughly shaped like a boat or a sideways house. Within the house is a wicker boat and ceramic vases filled with marbles.
Robert Palusky, American, b. 1942. One Plus One = One, mixed media with glass, ceramic, and acrylic, 2006. Purchase with funds provided by the 100th Anniversary Fund, SC120.2023. Image courtesy of FWMoA. 

In its most basic sense, a mosaic is created by arranging small, colored elements in a pattern that makes a larger composition. We normally associate stone or glass as the most typical mosaic materials, as seen in Robert Paluskyโ€™s mixed media sculpture One Plus One = One. But many artworks in our permanent collection challenge that norm with different materials; the intricate pointillism in Liz Quisgardโ€™s body of work, for example, is composed in a manner that resonates with the placement practices of mosaic.

A pointillism painting whose entire surface mimics the entwining of several ribbons. Stripes and curves twist and curl across the page. The colors include deep purple, lavendar, blue, pink yellow, green, and orange.
Liz Quisgard, American, 1929-2024. Ribbons #2, acrylic on canvas, 1989. Gift of an Anonymous Donor, 2019.122. Image courtesy of FWMoA.

While it may be a tall order to get our hands on typical mosaic materials, we can still create a beautiful mosaic with items we find at home. This activity is great for practicing small details, working with various materials, and even just making something cool out of unexpected objects you have laying around! Mosaic-making can also be altered in countless ways to fit different needs or outcomes, but the building blocks stay the same. Hereโ€™s what youโ€™ll need to make your own mosaic.

A white piece of paper, a container of air dry clay, and one bag of an assortment of beans.

Materials:

  • Assortment of beans
  • Air dry clay or salt dough
  • Smooth work surface
  • Water 

Optional materials:

  • Paint brush
  • Plastic knife
  • Rolling pin
  • Mod Podge or clear liquid glue

To start, roll out your desired amount of clay the same way you would roll out cookie dough: flat and somewhat thin. Then, use a pencil or the end of your paint brush handle to lightly etch your design outline into the clay.

A piece of airdry clay spread out into an oblong circle with a sketch of a fish etched into it with a pencil held by a white hand.

Once your design is applied, use your tweezers to place the individual beans into place. Keep color and size in mind as you select different beans. Use your fingers to lightly press the beans about halfway into the clay. This will secure their position; you can also do this after all beans are placed in case you need to reposition or replace any beans.

The airdry clay is has half an outline of beans pressed into it. In the background there is a small pile of beans spread out. There are circles, ovals, large and small beans of various colors-red, white, yellow, tan, peach. A white hand is holding tweezers that are grasping a small red bean.

After youโ€™ve placed and secured your beans, take one more step to ensure they donโ€™t shift as the clay dries and shrinks. Use the handle end of a plastic knife or paint brush (something with a dull point) to press the clay up against the edges of the beans, especially around the outside and between larger gaps. Apply water with a paintbrush as needed to smooth the clay.

Two images side by side, showing a close up of the tail of the fish made of beans. The left image has a paintbrush swiping across the clay; the right image has the teal clay tool pressing lightly.

Then, use a plastic knife to cut the excess clay from around your mosaic. I left extra clay around the edges of mine as a sort of border in order to ensure no beans would break off of the edges. Once your border is cut, use your fingers and water to smooth the freshly-cut edges on the front and back.

The image of a fish with a tail an dorsal fin made out of dried beans in the surface of airdry clay. A teal clay tool is cutting off the rough edges, leaving a clean outline around the fish.
The bean mosaic fish with smooth edges, being held by two white hands.

Leave the finished mosaic to dry for about a day, keeping it on a flat surface to avoid warping as it dries. Once the clay is completely dry (it may appear slightly lighter in color), use a paint brush to carefully apply a thin top coat of Mod Podge or other clear-drying liquid glue over the front of your mosaic, making sure to cover all tight spaces between beans. Allow the top coat to dry for a day.

Two images side by side. The left image has a container of mod podge glue in the background, with a hand holding a paintbrush above the bean mosaic fish. The right image is the bean mosaic fish.
The final image of the bean mosaic fish. We are seeing the side view, with the nose facing left. The dorsal fin visible and tail. The eye is green with small tan beans surrounding. The outline of the fish is black.

Finally, your mosaic is complete! If you used the same bag of mixed beans as me, you should have plenty left over to create countless other mosaics or a nice soup. 


For more inspiration on your next art project, plan your visit to the Fort Wayne Museum of Art at fwmoa.org!

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