With the start of the school year also comes the start of our docent training for the year. What better time to get to know another of our wonderful docents, Marlene Cooper! Marlene’s enthusiasm for and love of art is infectious. Read on, and watch a short interview, to see why FWMoA is her happy place and the children she gives tours to are her favorite people.
Off the Cuff: Fort Wayne’s Past in a Portrait
Whoever is shown in this painting, parts of it were painted well and parts of it show a great lack of skill or a disinterest in accurately depicting parts of the picture. This painting was commissioned to local painter Horace Rockwell, who made a modest living in the business of commercial portraiture and occasionally executed nearly life-sized family portraits like that of the Hanna family. Rockwell, exercising the style of the time that people should be depicted naturally and without idealization, paid special attention to the faces of the Hanna family and rather skillfully shows how these people probably looked in real life. Ironically, the bodies of these people look quite unnatural, lacking anatomically correct bone structure and proportion. Feet look more like wooden wedges, shoulders slump like shapeless sacks of flour, and the youngest Hanna in the portrait is shown to have only four toes. Rockwell has problems with his composition as well. An empty spot in the middle of the painting leaves an awkward division between the sitters, and almost no attention is paid to the background, which the artist has chosen to resolve by painting it a flat brown with no clue to tell us where this family is sitting.
Historical Highlight: Mrs. Hamilton’s Carriage House
There are three small faded black and white photographs in the archives of the Walter E. Helmke Library at PFW that record a colorful bit of Fort Wayne history. So why include one of these obscure photographs in the FWMoA blog?
Treasures from the Vault: Richard Müller
Our first official installment of Treasures from the Vault features one of FWMoA’s original treasures: Snails on Rhubarb. Painted in 1919 by German painter Richard Müller, Snails on Rhubarb is a whimsical study of foliage and the critters inhabiting this small ecosystem. Scattered over several large rhubarb leaves are snails, and a frog who seems to be mid-jump. A glimpse of a pond is seen in the background, which we can imagine as the home of our amphibious friend, his gastropod companions, and other creatures out of sight.
Kadir Nelson: His Work and His Process
Interviewed and Written by: Fred McKissack As a painter, Kadir Nelson has illuminated subjects ranging from Negro League baseball in “We Are the Ship” and Joe Louis in “A Nation’s Hope” to Michael Jackson and the lives of African Americans in the sweeping epic “Heart and Soul.” At Pratt Institute—one of the country’s premier art …