This week, our Treasure from the Vault and Art Term Tuesday come in one unique post! Learn about the importance of iconography in art as Elizabeth Goings uses one vault treasure and one work currently on display to break down this "stuffy" art term.
When curators are researching artists, they often stumble across other artists. Our Curator of Prints and Drawings, Sachi, tells the story of how she stumbled across Felrath Hines, a fine art conservator and painter!
Exhibitions Content Manager Elizabeth Goings takes us on an art history journey discussing how art historians treat artworks with missing information. For example, how do we date a painting with no date? Read on to find out!
Let’s start off with a question: when you, reader, go to a museum, what kind of art do you expect to encounter? Serious, dramatic works providing extensive commentary on social constructs relevant to the artist’s time period or works relevant to the present day? Well, those kinds of works will naturally be there, but how often do you hope to stumble across artwork that’s been created just for fun? If you’ve ever been in the mood for a more lighthearted art experience, today you’re in luck!
Professors from universities around the area bring their students to the Print and Drawing Study Center at the Fort Wayne Museum of Art to see works on paper from the permanent collection that are currently in storage. One of the most frequent requests is for the I Am a Man portfolio by African American photographer Ernest C. Withers (1922-2007). He is best known for his works documenting the Civil Rights Movement. Our Curator of Print and Drawings, Sachi, provides the background for Withers' photography career and the impact he had on the movement for equality.
Throughout history, there have been families so rich in artistic talent it is as if it is in their blood. Some powerhouse names may come to mind, like Peale and Wyeth. For the Fort Wayne Museum of Art, however, it is the Moran family.
Today’s ‘treasure’ is a little different than others we’ve selected. Dale Enochs’s Double Exposure is set apart from other treasures we’ve featured because they don’t often leave the vault. On the contrary—this sculpture is permanently installed in our atrium! It may seem as though I’m betraying the identity of this blog series, but I ask you this – how often do we become so used to seeing a work of art that we no longer take notice of its presence? My task today is to compel you to give this particular work a second look.
A common misconception about working in museums is that you get to touch the stuff, whether artworks or artifacts. When I lead a tour a common question is: “What is the coolest piece of art you’ve gotten to handle?” As an educator, I have to explain, I’m not allowed to touch the stuff either! While my job requires handling of reproductions, I rarely get to to into the vault and see, or write about, the various treasures we have. Read on to see which treasure from the vault caught the eye of our writer!
The temperature is dropping and the leaves are finally changing; it’s a favorite time of year for many! The hot and muggy days of summer are gone, and it’s finally sweater weather, which all of my coworkers know I’m very excited about. But, more importantly, it’s hot tea and coffee weather, too! I know, I know, you can enjoy delicious, hot drinks throughout the year, but, let’s be honest, they’re best when it’s crisp and cool outside. In honor of this season of change, our treasure from the vault this week is an exquisite tea and coffee set.
October is Breast Cancer Awareness Month, so I decided to select a work by Hollis Sigler in loving memory of her and in honor of the multitude of breast cancer survivors and those who are no longer with us. This disease has become far too familiar for many of us, whether it has been faced firsthand or experienced through the care of family members or friends. Read on to see how Sigler confronted her illness in her artwork and helped further the conversation around breast cancer research.