Nicky Nojoumi's works address the global structures of power, which extend beyond geographical boundaries and national histories. Learn more about his print from his time at Landfall Press here:
As #fwmoa Collection Information Specialist, Sue Slick is one of the first to see the new art purchased. In this post, she introduces us to Marion Greenwood and her lithograph, "The Window".
A perfect lithograph to look at around the holidays, Jeanette Pasin Sloan's poinsettia, and other prints in the #fwmoa collection, make a study of reflections and light. What are you reflecting on as we enter 2022?
Happy birthday, Luis Jiménez! To celebrate, today in the Studio we're creating animal prints like his "Sidewinder" using a rubbing technique known as frottage.
Staff at #fwmoa are playing favorites! We're asking them to pick their favorite work currently on display in the museum. Looking for Permanent Collection Intern Audra Widmann? You'll be sure to find her staring at her current favorite, Mucha's "Zodiaque".
Agnes Denes' lithograph gives visual representation to a probability formula, mixing the physicality of a pyramidal structure with the immateriality of an abstract, mathematical formula. Learn more about her thought-provoking work in this post.
Can art really ever be new? Art Nouveau (New Art) tried! Explore the short-lived movement dominated by artists whose work we love today; then, come visit #fwmoa to see it on display! See Art Nouveau master Alphonse Mucha's posters until September 26.
A sculptor and printmaker whose pacifist works were condemned as degenerate art by the Nazi Party, Ernst Barlach's "Der Neue Tag" is one of many works we're highlighting that didn't make it into our year-long anniversary exhibition.
In the Studio we're exploring shape, color, and duality in our own (mini) mixed-media screens. They may not be large enough to divide a room, like Sorman's, but they’re great on a bookshelf--flip it around depending on how you feel that day!
FWMoA Collection Information Specialist Sue Slick takes us back to 1960s San Francisco and introduces us to the poster art of Bonnie MacLean, a woman working and thriving in the boy's club of music poster design.