Artists often have a team or collaborate with one another, bringing impactful visions that start conversations or remix old stories with new ideas. One such artist is commercial and editorial photographer Tim Tadder, who collaborated with sculptor Krisztianna to create the Las Muertas photo series.
Chief Curator, President, and CEO of FWMoA Charles Shepard writes on Barbara Stanczak's place in art history in this new installment of "Off the Cuff".
To celebrate Edgar Degas' birthday, Elizabeth Kilmer examines Tim Tate's modern take on Degas' well-known "Little Dancer" sculpture. Read on to learn how artists build on previous artists narratives in this installment of Artist on Artist.
Does it ever strike you that two words, similar as they are, can have strikingly different meanings? When it comes to art, words that are commonly used interchangeably to describe creative work can actually bring us to a fork in the road on the path to meaning. Read on to spend a little time in the geeky world of art words.
Artists are inspired to create by a multitude of things: their environment, their lives, books, movies, and even each other! In this series, we'll be looking at artists who made artworks inspired by other artists and their works. Explore how glass artist Steve Linn was inspired by Simon Rodia's Towers in this post by Children's Education Associate Katy Thompson.
Today’s ‘treasure’ is a little different than others we’ve selected. Dale Enochs’s Double Exposure is set apart from other treasures we’ve featured because they don’t often leave the vault. On the contrary—this sculpture is permanently installed in our atrium! It may seem as though I’m betraying the identity of this blog series, but I ask you this – how often do we become so used to seeing a work of art that we no longer take notice of its presence? My task today is to compel you to give this particular work a second look.
FWMoA Exhibitions Content Manager Elizabeth Goings spoke to sculptor Darrell Petit, who created Continuum, about his inspiration, process, and love for Louis Kahn. Read the full transcription below or listen!
The history of American art is filled with little-known human stories that I find generally more fascinating than much of the art. Today, I’m thinking about a young artists’ model, Audrey Munson, whose mercurial rise to fame was as unlikely as her despairing descent into the black void of the rest of her life.
At the golden dawn of the 20th Century, Audrey Munson, an impoverished pre-teenager, caught the eye of photographer Felix Benedict Herzog as she pressed her face against a department store window and soon thereafter became the most famous artists’ model in American history.
The Fort Wayne Museum of Art will collect, preserve and present American and related art to engage and educate broad and diverse audiences throughout the region to add value to their lives. I’ve copied and pasted this sentence into hundreds of grant proposals, stamped it into countless museum publications, analyzed its meaning with board members, worked with my colleagues to weave those activities into every museum program, and conveyed this message to every casual visitor who wanders onto the requisite “About” page of our website. Those 32 words define the work of this museum every day for the staff and board as we put our shoulders to the wheel in the name of art for the betterment of the community. But what does that work look like in real life? If life at FWMoA were a reality TV show, what would our producers exploit for the sake of juicy television?
