Now on View: All that Glitters is Glass

Its summertime and that can only mean one thing at FWMoA โ€“ lots of glass on display! Through August 4th we have two stunning exhibits of glassworks by artists Tim Tate and Marlene Rose. Now on view are also several new dazzling glass sculptures that join our more permanent glass pieces, including a collection of American Brilliant Cut Glass. Read on to learn how FWMoA acquired this magnificent collection now on view.

Artist on Artist: Tate on Degas

To celebrate Edgar Degas' birthday, Elizabeth Kilmer examines Tim Tate's modern take on Degas' well-known "Little Dancer" sculpture. Read on to learn how artists build on previous artists narratives in this installment of Artist on Artist.

Artists on Artists: Linn on Rodia

Artists are inspired to create by a multitude of things: their environment, their lives, books, movies, and even each other! In this series, we'll be looking at artists who made artworks inspired by other artists and their works. Explore how glass artist Steve Linn was inspired by Simon Rodia's Towers in this post by Children's Education Associate Katy Thompson.

Treasures from the Vault: Ginny Ruffner

A common misconception about working in museums is that you get to touch the stuff, whether artworks or artifacts. When I lead a tour a common question is: โ€œWhat is the coolest piece of art youโ€™ve gotten to handle?โ€ As an educator, I have to explain, Iโ€™m not allowed to touch the stuff either! While my job requires handling of reproductions, I rarely get to to into the vault and see, or write about, the various treasures we have. Read on to see which treasure from the vault caught the eye of our writer!

Art Term Tuesday: Murrini

When you walk into the 46th International Glass Invitational Award Winners exhibition here at FWMoA, itโ€™s likely that your eye will be immediately drawn to a pair of large, brightly-colored pieces standing in one of the galleryโ€™s corners. These works by American glass artist Stephen Powell have playful, enigmatic titles, and, with their size and thinly curved structures, seem to be part-sculpture, part-architectural element.

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